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[Thai Terracotta]
by: Mr.Chanok
Excavated in the eastern suburbs of Beijing in 1955   Excavated in the eastern suburbs of Beijing in 1955 Ming dynasty, Jiajing period, 1522-1566 Porcelain with five-color enamels, wucai height 46 cm Underglaze blue and overglaze enamel colors decorate this massive wine jar with a continuous scene of large golden carp swimming among various water weeds and lotus flowers. On the base a six-character imperial reign mark reads: "Made in the Jiajing period of the great Ming."  read more.
[Thai Terracotta]
by: Mr.Chanok
Eastern Han dynasty (25-220 a.d.), 1st - early 3rd century a.d.   Eastern Han dynasty (25-220 a.d.), 1st - early 3rd century a.d. Earthenware with green lead glaze H. 9 1/4 in. (23.5 cm) This animal basin is populated with goats, tended to with one hand by a mother who cradles an infant in her other arm. It is typical of mingqi or "spirit utensils" that accompanied the deceased in burials of the Eastern Han dynasty (25-220 a.d.). Replicas of farm animals, utilitarian objects, and entertainers were believed to provide nourishment and amusement for the soul of the tomb occupant. The elevated structure serves as an architectural record of rustic buildings that would have been part of a large agricultural estate, and preserves in clay details of wooden design and construction - such as the low-pitched roof with a series of wood rafters flanging from a central beam - that have long since disintegrated above ground. The popularization of mingqi over the course of the Han dynasty (206 b.c.-220 a.d.) reflects dramatic changes in Chinese society, illus read more.
[Thai Terracotta]
by: Mr.Chanok
Qing Dynasty   Qing Dynasty Length: 4cm Width: 3.1cm Thickness: 1.4cm The pendant has carved patterns in relief on both sides, with bats and calabashes with vines and leaves on one side, and floral branches and peaches on the other, symbolizing "a lot of children, great happiness and longevity". There are silk ribbons tied with a jadeite knot between two units of seed pearls attached to the top.  read more.
[Thai Terracotta]
by: Mr.Chanok
Qianlong Period, Qing Dynasty   Qianlong Period, Qing Dynasty Length: 19.3cm Width: 24.9cm The peach-shaped washer is shallow and wide, with two leaved peaches carved in relief on the outer surface and open-carved peach branches serving as a base at the bottom. A washer is a piece of stationery used in the study for washing writing brushes. This washer is a perfect blend of its shape and patterns, with superb craftsmanship and exquisite carvings. It is a masterpiece of carved jadeite works  read more.
[Thai Terracotta]
by: Mr.Chanok
Qing Dynasty   Qing Dynasty Diameter: 5.1cm The outer surface of the bracelet is engraved with intertwining floral branches in intaglio. It is made of highly transparent mild green jadeite known as "high jadeite". This pair of bracelets used to be worn by Empress Dowager Cixi. Bracelets or armlets were worn by both men and women in ancient China. In the Tang and Song Dynasties, they became ornaments unique to women, and wearing bracelets was a fashion statement for women in the Qing Dynasty. The bracelets worn by the Qing-Dynasty court ladies were made of a variety of materials, including jade, jadeite, agate, scented wood, amber, bodhi seeds, gold, silver and all sorts of inlays. Bracelets made of jadeite were the most precious.  read more.
[Thai Terracotta]
by: Mr.Chanok
Yuan dynasty (1279-1368), ca. early 14th century; Qingbai ware   Yuan dynasty (1279-1368), ca. early 14th century; Qingbai ware Probably from kilns in the vicinity of Jingdezhen, Jiangxi Province Porcelain with brown, low- and full-relief decoration under bluish white glaze; H. 8 3/4 in. (22.2 cm) In this winsome pair of incense burners that typify the penchant for increasingly elaborate wares in the Yuan period, we see a skillfully orchestrated mix of decorative techniques. The beautifully articulated growling lions with their flowing manes and carefully fashioned features are fully modeled; their bulging eyes are punctuated with iron oxide. The mold-impressed floral sprays on the six lotus-petal panels of the cuplike containers are all different; while they are rather indistinct, a lotus and peony blossom can be made out. Finally, the potter has carved pendant overlapping lotus petals on the top register of the hexagonal bases, and has finished the feet (in a surprisingly careless manner) in a shape that distantly resembles the "cloud-collar- read more.
[Thai Terracotta]
by: Mr.Chanok
Ming dynasty, Jiajing mark and period (1522-1566)   Ming dynasty, Jiajing mark and period (1522-1566) Porcelain painted in underglaze blue and overglaze polychrome enamels; H. 9 1/8 in. (23.2 cm) The ascendancy of polychrome enamel decoration over other ornamental techniques seen in porcelains of the Jiajing period could represent an attempt to compensate for the low quality of potting by making an ambitious display of color. Ceramic painters were adept and imaginative with their palette of enamels and sought to achieve a maximum number of effects. An important innovation of the Jiajing period, the so-called wucai ("five-color") decoration, was one of the last major additions to the lexicon of ornamental techniques developed during the Ming dynasty, Despite its name, the number of colors in wucai decoration is not strictly limited to five. Wucai, like doucai, is a combination of underglaze blue and overglaze polychrome enamels. However, where the soft underglaze blue of doucai was primarily used for dainty outline that laid the g read more.
[Buying & Saleing]
by: Mr.Chanok
พระร่วงปางประทานพร สุโขทัย(เนื้อชินเขียว)   พระร่วงปางประทานพร สุโขทัย(เนื้อชินเขียว) โทร 0816728899  read more.
[talk Information]
by: Mr.Chanok
พระแก้วมรกต ฉบับพระธาตุลำปางหลวง   ” เจ้าทิพย์ช้าง “ เจ้าผู้ครองเขลางค์นคร หรือนครลำปาง อดีตนั้นเป็นเพียงแค่พรานป่าหรือพรานหนุ่ม ผู้ถูกร้องขอจากขุนนางเมืองในสมัยนั้น ให้ช่วยกอบกู้เมืองลำปางที่ตกอยู่ในการครอบครองของพม่า และพรานป่าผู้กล้านี้ก็ได้ทำสำเร็จ เมื่อปี พ.ศ. 2275 โดยปลอมตัวเข้าไปในเขตชั้นในที่พม่าใช้วัดพระธาตุลำปางหลวงเป็นที่ตั้งมั่น แล้วลอบฆ่าแม่ทัพพม่าจนเสียชีวิต ซึ่งรอย read more.
[Such as Collection]
by: Mr.Chanok
พระพุทธรูปสมัยล้านนา พระยืนสูง 6 นิ้ว   พระผิวขัด ฐานไม้ทำใหม่นะครับ read more.
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