01230 [talk Information]
read:22327
by:
Mr.Chanok |
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กรุแตกที่พิษณุโลกอีกแล้ว-เจอนางพญาพิมพ์ ใหญ่ที่วัดบ่อทองคำ
พิษณุโลก- ถิ่นเมืองเก่าสองแคว กรุแตก อีกแล้ว คราวนี้เป็น พระนางพญาพิมพ์ใหญ่ ใต้วิหารเก่าที่วัดบ่อทองคำ รองผู้ว่าฯเมืองพิษณุโลก ไม่รอช้า ตรงเข้าหาเจ้าอาวาสวัด ขอชมพระนางพญาทันที
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01226 [Such as Collection]
read:2235
by:
Mr.Chanok |
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พระพุทธรูปรัชกาล ศิลปะสุโขทัย ฐานดินไทยสวยสมบูรณ์
พระพุทธรูปรัชกาล ศิลปะสุโขทัย ฐานดินไทยสวยสมบูรณ์ หน้าตัก 5 นิ้ว
ราคา 4500 บาท โทร 0816728899 read more. |
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01213 [talk Information]
read:6368
by:
Mr.Chanok |
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เครื่องทองสมัยอยุทธยา
พุทธศักราช 2310 กรุงศรีอยุธยาถูกพม่าตีแตก เมื่อข้าศึกเข้ากรุงได้แล้ว จุดเพลิงเผาผลาญบ้านเรือน วัดวาอาราม และปราสาทราชมณเฑียรแสงเพลิงสว่างดั่งกลางวัน บ้านเมืองพินาศสิ้น พม่าได้พระราชทรัพย์ในท้องพระคลังและสิ่งของทองเงินต่าง ๆ ไปมากมาย ที่ยักย้ายทรัพย์สินฝังดินซ่อนไว้คงมีบ้าง พม่าจัดแจงเก็บรวบรวมทรัพย์ทั้งขุดทั้งเผาเอาสมบัติไปไว้ทุกทัพทุกค่าย ใ read more. |
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01189 [Buying & Saleing]
read:2141
by:
Mr.Chanok |
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พระหลวงพ่อทวดหลังตัวหนังสือ
ดูง่ายกันสุดๆ พระสภาพใช้จัดครับ read more. |
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01188 [talk Information]
read:1468
by:
Mr.Chanok |
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Gold seal with double-dragon knob inscribed with Huanghou Zhi Bao
Qing Dynasty
Height: 10cm
Length: 14cm
Width: 14cm
Weight: 18500g
Square-shaped, double-dragon knob, inscribed with "Huanghou Zhi Bao" (the empress' seal) in seal-script Manchu and Chinese characters in relief.
The empress and concubines of the Qing Dynasty were in different ranks and statuses, but when someone was conferred the title of empress or concubine, she would be granted a seal as an indication of her status. According to the Daqing Huidian or Collected Statutes of the (Great) Qing, "the empress' seal, made of 550 ounces of third-grade pure gold, has a double-dragon knob, a flat base that is 4.4 Chinese inches square and 1.2 Chinese inches thick, bearing seal-script Chinese and Manchu characters." This seal was granted to the empress when she was conferred the title.
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01187 [Thai Terracotta]
read:1480
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Mr.Chanok |
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Celadon bowl with carved and incised dragons
Five Dynasties period (907-960), 10th century
Probably the vicinity of Shanglinhu, Zhejiang Province
Stoneware with carved and incised design under celadon glaze (Yue ware); H. 4 3/8 in. (11.1 cm), Diam. 10 5/8 in. (27 cm)
The quality of potting and the production of fine ceramic wares seem to have been unaffected by the political turbulence that gripped China as the Tang dynasty (618-906) lost its preeminence at the beginning of the tenth century. Indeed, the quality of the output of the Yue kilns in the northern part of Zhejiang Province seems to have peaked during the upheavals of the Five Dynasties period, which occurred throughout most of the first sixty years of the century. This tenth-century bowl, with carved and incised dragons under a lustrous green glaze, is one of the great ceramic treasures in the Museum's collection. The high-fired clay has vitrified so that it is resonant when struck, although it is not true porcelain in the Western sense, because it is neither whit read more. |
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01186 [Thai Terracotta]
read:1490
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Mr.Chanok |
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Poet Li Bai (ivory carving)
Height: 21cm
Width: 11.5cm
by Yang Shihui
This works utilized the natural shape of the ivory material. The author makes use of the unique exaggerated artistic technique to engrave successfully the famous poet Li Bai of Tang dynasty. The figurine is full of literary talent image.
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01185 [Thai Terracotta]
read:1327
by:
Mr.Chanok |
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Imperial Concubine Yang (ivory carving)
Height: 28cm
by Yang Shihui
This piece of ivory carving ware is designed and carved by master Yang Shihui. The lines are to be carved simple. In fact, this is a rare & excellent ivory carving works. Concubine Yang is to be expressed vividly.
Not for sale. Show Only read more. |
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01184 [Thai Terracotta]
read:3959
by:
Mr.Chanok |
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Yamantaka Mandala with imperial portraits
Yuan dynasty (1279-1368), 1330-1332
Silk tapestry (kesi)
96 5/8 x 82 1/4 in. (245.4 x 208.9 cm)
Buddhism flourished in Yuan China and was also practiced briefly in Iran before the official conversion of Il-Khan Ghazan to Islam in 1295. The Buddhist mandala represents the cosmic and sacred realm where the deity (at the center), the ultimate subject of meditation, is surrounded by symbols of the spiritual stages that the devotee must pass through in order to attain enlightenment. This woven mandala, in the style of the Sakyapa school (originating from the Sakya monastery in Tibet), shows Yamantaka (also known as Vajrabhairava), the wrathful manifestation of the Bodhisattva Manjushri, as the central deity. The basic scheme of this mandala follows the convention of the Sakyapa school in the fourteenth century, and the decoration is rich and complex. Color changes and slits in the weave make up the design, and the use of gilded paper in the crowns and jewelry gives a three-dimensional read more. |
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01183 [Thai Terracotta]
read:1612
by:
Mr.Chanok |
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Excavated in the eastern suburbs of Beijing in 1955
Excavated in the eastern suburbs of Beijing in 1955
Ming dynasty, Jiajing period, 1522-1566
Porcelain with five-color enamels, wucai
height 46 cm
Underglaze blue and overglaze enamel colors decorate this massive wine jar with a continuous scene of large golden carp swimming among various water weeds and lotus flowers. On the base a six-character imperial reign mark reads: "Made in the Jiajing period of the great Ming."
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